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Showing posts with label Bill Wei. Show all posts
Showing posts with label Bill Wei. Show all posts

Sunday, 15 July 2012

Press Release for the 2012 ARCA Conference on the Study of Art Crime and Cultural Heritage Protection

Posted on 00:00 by Unknown
by Noah Charney, Founder of ARCA

The fourth annual ARCA Conference on the Study of Art Crime and Cultural Heritage Protection was held June 23-24 in Amelia, Umbria, the seat of ARCA’s Masters Certificate Program in Art Crime and Cultural Heritage Protection, a post-graduate program held in Italy every summer that is the first academic program in the interdisciplinary study of art crime. Among the many important speakers were winners of the annual awards presented by ARCA, including George Abungu, the leading spokesperson for the protection of cultural heritage in Africa; Joris Kila, a co-winner with Karl von Habsburg, who is a specialist in the protection of art and monuments during military operations; and Jason Felch, co-winner with Ralph Frammolino, for his investigative work in the , about the Getty art scandals.

HRH Ravivaddhana Sisowath, Prince of Cambodia
A surprise addition to the roster of speakers at the conference was His Royal Highness, Ravivaddhana Sisowath, Prince of Cambodia. His Highness spoke about the recent seizure from Sotheby’s of the Koh Kher statue by US authorities.

Fabio Isman
Isman, Italy’s leading investigative journalist on the black market in antiquities, and winner of a 2011 ARCA award, spoke of the continued problem of looted Italian antiquities, and the extent of the problem as a whole, which is far greater than most realize. An estimated 7% of all works looted from Italy since the Napoleonic era have been returned—the rest remains abroad. That said, Italy has had more art repatriated than any other country, in any period in history, aside from the immediate repatriation of post-World War Two Nazi-looted art. A Princeton University study estimates that, since 1970 alone, approximately 1.5 million items were looted from Italy. Isman’s research found around 25,000 items that had been identified and returned. What is still out there is staggering. Isman discussed cases within the last six months that show the continued willingness for museums to trade in illicit antiquities.

Laurie Rush
The Writer in Residence on the ARCA Program for 2012, Dr Rush is an archaeologist with the US Army who is charged with training US soldiers and officers about the importance of respecting and protecting local cultural heritage and traditions in combat zones. Conflict offers opportunity for theft, but also and far more frequent the inadvertent damage of cultural property. Rush noted the Italian antiques market magazine Antiquariato, in 2011, wrote that this was the best time to collect Egyptian antiquities, referring to the social turmoil in Egypt, which would surely turn up more antiques smuggled out of the country. Dr Rush is preparing the US Field Commander’s Guide to Cultural Heritage Protection, and is an advocate of paying local families in conflict zones like Afghanistan, who have lost their livelihood, to protect and supervise local cultural heritage sites—they are empowered, paid a small amount that is large to them, and are best situated to respectfully function as long-term protector of a site.

Bill Wei
Dr Wei, of the Netherlands Institute of Cultural Heritage, is an engineer and conservator who spoke of a new system for “fingerprinting” artworks that he has helped to develop. The system is called Fing-Art-Print, and is a non-contact method for the three-dimensional identification of unique art objects.
 
Joris Kila
Dr Kila, who accepted the award on behalf of both winners, discussed his adventures investigating accusations of looting in Libya, and found no such evidence, aside from the now-renowned Ben Ghazzi coin heist, in which thieves elaborately drilled through a thick cement bank vault floor during bombings. Dr Kila also emphasized the tremendous success of precision bombing during the Libya conflict: Ghaddafi had situated key military targets on or next to archaeological sites, to dissuade bombings. And yet the precision bombing was so successful that no archaeological items were damaged, and yet the targets were destroyed, even when they were situated beside the archaeological site. Dr Kila showed photographs of destroyed military transports and radar machinery that stood within meters of a Roman ruin, and yet the ruin was entirely unharmed.

Jason Felch
Felch accepted the award on behalf of both parties. He discussed his immersion in the world of illicit antiquities and major museums, and how he slowly uncovered a vast cache of tens of thousands of documents and images of looted art, many of the documents explicitly proving that insiders at the Getty had knowingly purchased looted antiquities over many years, and were making secret plans to cover up their actions. While the Getty has returned 60 objects looted from Italy, a secret Getty memo uncovered by Felch and Frammolino noted around 350 total looted objects that Getty officials were concerned could be targeted by Italy because they were looted. Felch also described his WikiLoot project, a new endeavor in its infant stages which Felch envisions as a crowd-sourcing online platform to publish documents and photographs related to the illicit trade in antiquities. He intends to publically publish these tens of thousands of documents and photos in the future. The ARCA Conference, and Jason’s activities, were covered recently in The Guardian.

George Abungu
The final award of the day was for Lifetime Achievement in Defense of Art, and when to George H. O. Abungu. Dr. Abungu, a native of Kenya, has served on multiple chairs and committees related to protection world and African cultural heritage. He was Director-General of the National Museums of Kenya, and is now Vice-President of ICOM, serves on the UNESCO World Heritage Committee, among his many distinguished titles and activities. Dr Abungu discussed the protection and preservation of rock art throughout Africa. Rock carvings and paintings dating to thousands of years BC are found throughout Africa, from South Africa to Morocco—and yet they are largely at exposed, though remote, sites and are therefore at risk of the elements, looting, and occasional vandalism.

Paolo Giorgio Ferri
The renowned Italian prosecutor, winner of an ARCA award in 2011, returned to give a keynote speech, discussing his discovery of a forged Euphronios kylix that had been mixed in with authentic looted antiquities and passed off by tomb raiders as original, demonstrating the alarming link between forgeries and the illicit antiquities trade. While artist foundations preserve the legacy of modern painters, there are no organizations charged with preserving the legacy of the ancients. Dr Ferri discussed the importance of enforcing the well-meaning, but not always effective customs laws put in place by UNESCO and the Palermo Convention. He also was asked why the infamous art dealer Robin Symes has not been indicted by Italy. He responded that there were many factors, including the non-cooperation of the UK, the end of the statute of limitations for the main case Italy had built against Symes (the crime took place in 1982 but the evidence was only complete in 2004), and the face that Symes had cooperated with Italian authorities in the recovery of some looted antiquities taken by other dealers, including an ivory mask that was recovered thanks to Symes, and for information about the Fleischman collection laundering operation.
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Posted in art crime conference, Bill Wei, Cambodian art, Fabio Isman, George Abungu, Jason Felch, Joris Kila, Laurie Rush, Paolo Ferri | No comments
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  • sale of stolen paintings
  • Salvator Rosa
  • Sandy Nairne
  • Santa Monica
  • Sarajevo Haggadah
  • Sardinia
  • Sassari
  • Saving Italy
  • scandals
  • Schinousa archive
  • Scholarship - Books
  • Schoonhoven
  • Schubert at the Piano
  • Schwabing Art Fund
  • Schwabinger Kunstfund
  • Scotland
  • Scotland Yard
  • sculptor
  • Sea of Galilee
  • security
  • Security guards
  • security options
  • security specialist
  • sentencing
  • Serbia
  • Sharon Cohen Levin
  • shipwrecks
  • Sicilian Mafia
  • Sicily
  • Sisley
  • Skokloster Castle
  • smash and grab
  • smuggling
  • snuffboxes
  • sociology of crime
  • Sotheby's Auction
  • South Africa
  • South India
  • Spain
  • speaker
  • Spring 2013
  • spring/summer 2012
  • St. Patrick's Day
  • stamp theft
  • Stealing Rembrandts
  • Stefano Alessandrini
  • stele
  • Stockholm
  • stolen antiquities
  • stolen art
  • Stolen Art Bulletins
  • stolen art database
  • Stolen Art Recovered
  • Stolen Artwork Restitution Act
  • Stolen the film
  • Stonehill Art Crime Symposium
  • Stonehill college
  • street art
  • strikes
  • Stroganov Collection
  • stuart george
  • study of art crime
  • Stuttgart Fine Art and Antiquities Squad
  • summary
  • Sureté du Québec
  • surveillance video
  • Sussex Police Art and Antiques Squad
  • Sustainable Preservation Initiative
  • Sweden
  • Swedish Royal Library
  • Switzerland
  • Sydney
  • Symes
  • Symposium
  • Syria
  • ta moko
  • Takeaway Rembrandt
  • Taliban
  • Tauranga Art Gallery
  • tax fraud
  • Teddy Kollek
  • television
  • Tess Davis
  • textiles
  • Thailand
  • The Caravaggio Conspiracy
  • The Empty Frame
  • the Getty
  • the Journal of Art Crime
  • The Journal on Art Crime
  • the medici conspiracy
  • the met
  • the missing piece
  • The Monuments Men
  • The Netherlands
  • The New York Times
  • The New Yorker
  • The Palermo Nativity
  • The Rape of Europa
  • The Scream
  • The Venus Fixers
  • theft
  • Thierry Lenain
  • Thomas Kline
  • Timbuktu
  • Tom Flynn
  • Tom Keating
  • Tom Mashberg
  • Ton Cremers
  • TPC
  • Trance
  • Transnational crime
  • travel
  • treasure
  • Triamphal Quadriga
  • trickster
  • Triton Collection
  • Turkey
  • Typology of interfaces
  • U. S. Fish and Wildlife Service
  • U.S. News
  • UBC
  • Uffizi Gallery
  • UK
  • Ulrich Boser
  • Umbrians
  • undercover agent
  • UNESCO
  • United States
  • Universal Museums
  • University of Pennsylvania
  • Unlisted Conference
  • unsolved art theft
  • urgency
  • US law
  • V&A Symposium
  • Valerie Higgins
  • Van Gogh
  • Van Gogh Museum
  • Vancouver
  • vandalism
  • Veletrzni Palace
  • venice
  • Vermeer
  • vernon rapley
  • Victoria and Albert Museum
  • Victoria Reed
  • Victorian crime
  • Vienna
  • Viking artifacts
  • Villa Giulia
  • Vincent van Gogh
  • Vincenzo Peruggia
  • violin recovery
  • violin theft
  • Virginia Curry
  • Virginia Museum of Arts
  • Wales
  • Wall Street Journal
  • war booty
  • warrant
  • wartime losses
  • Washington DC
  • West Africa
  • Whicher
  • William Kingsland
  • wine fraud
  • Witches in Air
  • Worcester Art Museum
  • workshop
  • world heritage sites
  • World Press Photo Exhibit
  • World War II
  • writer in residence
  • Yale University
  • Zurich

Blog Archive

  • ▼  2013 (295)
    • ▼  December (29)
      • Was the repatriation of a footless 10th century st...
      • Fabio Isman reports on scholar Augusto Gentili's i...
      • Link to Radio New Zealand's Interview with Penny J...
      • "Selling Russia's Treasures" writes about the coll...
      • A flaming Swedish Christmas tradition – the annual...
      • Christos Tsirogiannis Interviews Marc Balcells in ...
      • Marc Balcells Introduces Christos Tsirogiannis in ...
      • Ilaria Dagnini Brey's "The Venus Fixers" and Rober...
      • Editorial Essay: Suzette Scotti writes about "Do U...
      • Christos Tsirogiannis on "From Apulia to Virginia:...
      • Derek Fincham's column "The Empty Frame" on "Detro...
      • Columnist David Gill on "The Cleveland Apollo Goes...
      • Noah Charney in "Lessons from the History of Art C...
      • Marine Fidanyan on "Destruction of Jugha Necropoli...
      • Brent E. Huffman Presenting Special Advance Screen...
      • Christie's New York Auction of "Antiquities" withd...
      • Duryodhana statue from Prasat Chen, Cambodia: "Vol...
      • Sotheby's sells Symes marble matched by Dr. Christ...
      • Felicity Strong on "The Mythology of the Art Forge...
      • Bojan Dobovšek and Boštjan Slak on "Criminal Ins...
      • Update on the search for the oeuvre of Polish arti...
      • "Victorian Art Theft in England: Early Cases and S...
      • Gurlitt Art Collection: The Economist publishes le...
      • "The Crime That Pays? The Canadian Print Media's C...
      • Isabella Stewart Gardner Theft: Boston's WGBH News...
      • DIA evaluation of $2 billion includes only 'works ...
      • The Fall 2013 issue of The Journal of Art Crime No...
      • Persian chalice authentic or fake? Dutch Art Inves...
      • ARCA Associates participating in International Con...
    • ►  November (41)
    • ►  October (17)
    • ►  September (13)
    • ►  August (47)
    • ►  July (28)
    • ►  June (16)
    • ►  May (14)
    • ►  April (21)
    • ►  March (35)
    • ►  February (19)
    • ►  January (15)
  • ►  2012 (205)
    • ►  December (8)
    • ►  November (20)
    • ►  October (36)
    • ►  September (12)
    • ►  August (19)
    • ►  July (26)
    • ►  June (19)
    • ►  May (27)
    • ►  April (21)
    • ►  March (17)
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