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Showing posts with label Bhutan. Show all posts
Showing posts with label Bhutan. Show all posts

Saturday, 2 March 2013

Continued coverage of the Conference on Protection of Cultural Property in Asia

Posted on 10:04 by Unknown
Textile conservator Julia M. Brennan continues coverage of last month's conference.

The conference was structured into 3 thematic working sessions: Policy and Institutional Framework and Capacity Building (Session 1);  Technical Aspects of Protecting Cultural Heritage Property: Networking with INTERPOL and the International Community (Session 2); and Recovery of Cultural Property, post Theft or Disaster (Session 3).  Here are highlights of a few of the talks: 

Session 1 presentations dovetailed, making a strong case for the use of preventative measures to protect cultural heritage.

Mr. Etienne Clement, Deputy Director of UNESCO, Bangkok gave the opening talk for Session 1 covering national and international laws, international conventions such as the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict; 1970 UNESCO Convention on Illicit Trafficking, and the UNIDROIT. He made a compelling argument for nation states to adopt and use these conventions; teach cultural heritage personnel and police about them; and use them as a foundation tool for combatting the illicit trade in antiquities and art.

Mr. Tshewang Gyalpo, Chief of Bhutan’s Department of Culture, spoke about the country’s national database of heritage; defined Bhutanese heritage; outlined the role of the conservation department and regional cultural officers and the trainings in place to better secure sacred sites.

Mr. Karl-Heinz Kind, INTERPOL, provided an overview of the important and active role that his agency performs, advocating member states to join and participate. The effectiveness of  INTERPOL's stolen works of art database and Project PSCHE (designed to utilize the Italian Carabinieri for the Protection of Cultural Heritage's help in modernizing the database). He emphasized that investigations and recovery are only supported by nations’ involvement and called for greater involvement by nations to make protection of cultural heritage a priority.

Julia Brennan (left) and Fiona MacAlister (right) with
 Dasho Dorjee Tshering, Secretary of Home and Culture
Ms. Fiona Macalister, a disaster preparedness expert from the UK, and I, a textile conservator and consultant for preventative conservation, made the case for employing preventative measures at the front end to protect cultural heritage. Fiona provided a clear blueprint for risk management and disaster planning, outlining different disaster scenarios in the event of  fire, flood, earthquake, and theft and provided standards, checklists, and constructive methods of training. I outlined methods adopted from conservation including secure storage, good protective housings, training of local caretakers and cultural heritage staffs, the importance of detailed and updated documentation, analysis, collaborating with and training of law enforcement, raising public awareness and ownership through media outlets, and engagement of community based groups and tourist infrastructure.

Session 2 featured talks specifically focused on law enforcement efforts to combat the illicit trade. Among the presentators were:

Mr. Gaspare Cilluffo, Customs, Italy, provided an introduction to the law enforcement real time platforms of ARCHEO and COLOSSEUM. He provided clear how-to-use steps for these programs, for both customs and police, in an effort to broaden the international communications and work in real time. He emphasized the goals of sharing information about seizures and new trends, background profiles, best practices, and official consulting experts.

Ms. Silvilie Karfeld, from the German Police, provided extremely useful and creative methods to combat the illicit trade across uncontrolled borders. From the macro of international law enforcement efforts, collaboration between nations, to micro solutions such as neighborhood watch programs, physically marking artifacts as ID, registration of artifacts with cut off dates, pressuring and working with major online sales sites and insurance industry. Like Clement and Brennan, she advocated enhancing the awareness by common people, utilizing the media, and encouraging source countries to take action and monitor the art markets themselves.

Both Mr. Martin Finkelberg, Art Crime Police, The Netherlands, and Mr. Iain Shearer, formerly with the UK Police, gave inspirational and personal talks about investigations and seizures, and the importance of networking. Iain outlined some British successes in seizing illicit Afghan antiquities since 2006. Both an archeologist and police officer, his talk was a lively history of ancient sites and their importance, how they are pillaged, and arrive in the end market. Martin used several case studies to show the success of having informants, a strong prosecutor, utilizing databases, to solve heritage thefts.

Session 3 focused on recovery and methods employed.

Professor Duncan Chappell from Australia outlined several recovery cases in the market country Australia of SEA artifacts and human remains blatantly for sale by BC Gallery:  While some artifacts were recovered or pressure was brought to bear to remove artifacts from sale, the Australian laws are toothless and do not support timely prosecution or seizure. As with many countries, the little slap of the hand does nothing to stem the trade, Professor Chappell said, and called for greater funding for research, investigation and cross border collaboration in the Asian Pacific region.

Major Guy Tubiana, Chief of Security for France’s Museums and Cultural Sites, provided some sound and simple tips for securing sites and training staff. He emphasized the sixth sense of police and security experts, and the constantly changing landscape of theft and trafficking.

Brigadier Kipchu Namgyel, Chief of Royal Bhutan Police, gave an excellent talk about the state of cultural heritage protection in Bhutan, the locations of highest thefts, the incentives and investigation methods employed, and some creative, if not controversial solutions to the problem of chorten vandalism.

The conference concluded with strategic working sessions on each of the three themes. Each group provided a set of recommendations for improving nation’s capacity building, and better protection of cultural heritage though the implementation of specific tasks, many adopted from the three days of presentations.

At the end of three days, attendees took away the strong message that as a global community, we must partner, deploy all the tools possible, engage and maintain strong active relationships across borders, and promote both loss and success more effectively through the media. It also underlined the greater need for the development of stronger Asian participation in law enforcement, liaison with INTERPOL and international customs, and prioritizing the protection of cultural heritage by Asian governments.

This conference was a good first step for combatting the illicit trade in Asia. And, to maintain the momentum, we need to follow up quickly, with additional sessions in Thailand, Singapore, and China, (at the very least), with a focused attempt to identify and bring key law enforcement and cultural heritage professionals to the table. In addition, we could strategically reinforce the message with post conference trainings of law enforcement, customs, and rural caretakers in methods of investigation, analysis, better security, filing stolen art, and monitoring of art sales. Too many major Asian players were missing in Bhutan, but there is a lot of opportunity ahead.  

Website of conference: www.mohca.gov.bt/conference

Published papers forthcoming in 2013

Julia M. Brennan is a Conservator and Cultural Heritage Protection Consultant www.caringfortextiles.com.
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Posted in Australia, Bhutan, Chappell, Conference of Protection of Cultural Property in Asia, Germany, Italy, Julia Brennan, Martin Finkelnberg | No comments

Friday, 1 March 2013

Coverage of the first Conference on Protection of Cultural Property in Asia (15-18 February 2013, Thimphu, Bhutan)

Posted on 08:01 by Unknown

Snowy entrance to convention center in Thimphu, Bhutan
By Julia Brennan, ARCA Alum 2009

Part I

The Royal Government of Bhutan graciously hosted the first Asian-based cultural security conference, under the auspices of the Ministry of Home and Cultural Affairs (MoHCa), and funded by Interpol and the Norwegian Department of Foreign Affairs. It was the first attempt to bring together professionals in the culture protection and law enforcement sectors to begin to develop networks and alliances in this region. In funding this convening, Interpol’s goal is to launch stronger initiatives with member states in Asia—promoting engagement and information exchange; regular posting on the stolen art database; and sustainable relationships with Asian country law enforcement and customs agencies.

The Royal Government of Bhutan was a gracious and generous host. For many attendees, it was a first visit to this remarkable and beautiful Kingdom.  This gathering was unlike most conferences where attendees are ‘on their own’ for most evenings and free days.  Instead, the foreign guests were treated to well-organized cultural tours of sacred monasteries and museums, and feted with rich local meals, cultural dance programs, comfortable hotels, hot stone baths, and quick shopping sprees - a rich and generous welcome and introduction to Bhutan. Everyone was humbled by the kindness and all-inclusiveness of our hosts.

The marchang, a traditional Bhutanese ceremony, performed.
Opening day began at the National Convention Center started with the marchang, a traditional Bhutanese ceremony performed to promote an auspicious start to a new endeavor. That night, a deep snow fell blanketing the country – an auspicious sign for our forum to protect cultural heritage. We were profusely thanked and blessed, as indeed the deities were pleased with our conference; the much-needed snow heralded a good start to the new year of the Water Snake, a robust harvest, and an end to the forest fires.

In attendance were about 30 international participants and 60 Bhutanese. The Bhutanese representation included the Cultural Officer and local police chief from each of the 20 national districts, as well as professionals from the Ministry of Home and Culture, local museums, and monasteries. Foreign participants came from Germany, Switzerland, France, Italy, The Netherlands, UK, USA, Korea, Australia, Vietnam, China and India. The strongest law enforcement sector heralded from Europe, with the Executive Director of Police Services of Interpol, M. Jean-Michel Louboutin as the Honorable Chief Guest. European police, investigators, criminologists, and customs agents made up the strongest component of the conference.

Interpol's Jean-Michel Louboutin with Brigadier Kipchu Namgyel, Chief of Police Royal Bhutan Police
The 20 presenters, chiefly non-Asian, laid out sound instruments, platforms, and methodologies for combatting the illicit trade and retrieving lost cultural heritage. It was a powerful tool kit that we began with.  It covered national and international laws, conventions, inventories and object ID databases, and international joint customs operations.  Presenters reviewed platforms such as ARCHEO, COLOSEUM, ICOM’s Red List and INTERPOL’s stolen art database.  Additional information was provided about museum security measures; investigations by police and criminologists; the role of prosecutors; the importance of preventative measures adopted from the conservation practice; and grass roots initiatives in culturally-rich areas.  The content-rich agenda even covered liaison with tourist and local infrastructure; use of the media to build awareness and participation; development of emergency and disaster preparedness; and the role of market versus source countries in the fight to protect cultural property.

Sadly, there was little police representation from most Asian countries. Noticeably lacking at this first Asian-based conference were law enforcement, customs, or Ministry of Culture personnel from Thailand, India, Nepal, China, Vietnam, Cambodia, Laos, Myanmar, Sri Lanka, Indonesia, Singapore or Malaysia. Several of these countries - Thailand, China, and Singapore, for example - play major roles in international trafficking and trans-shipment.  Others, such as Cambodia, Laos, Myanmar, and Indonesia, are victims of ongoing looting and theft of their cultural property. The Bhutanese may have benefited the most from this conference, with a strong and broad-based attendance, with several presentations focused on illicit trafficking and theft cases in Bhutan.

There was a paucity of dialogue about other Asian countries, with no mention or discussion of the ever-growing Asian-based market for antiquities. Singapore and Bangkok are both active illicit hubs, with China and Vietnam’s growing population of individuals with purchasing power creating renewed demand for antiquities globally.  Thus, it felt like a missed opportunity to not explore these newly emerging markets and laundering sites. At the same time, perhaps now that the first such gathering is complete, it’s possible that future gatherings will begin to address these major threats to regional cultural heritage.

Bhutan emerged as the star player in this conference and in the protection of their cultural property. A preview of this strong role was the large sign at the national airport customs picturing Bhutanese artifacts and stating “Help Us Protect our Culture and Heritage” (along with caveats, guidelines, and penal consequences). Bhutan is an active member of INTERPOL, with regular communications and postings to INTERPOL’s stolen art database. It also has a sound and growing national database (both written and photographed) of their cultural heritage; training and posting of cultural officers in all the districts widely distributed and culturally-aware police force, and a strong base of nationalism and religious beliefs by the population at large. Bhutan is actively engaged in the protection of their religious heritage and presented several compelling talks focused on the theft and loss, recovery and preventative methods in place.

Bhutanese speakers included: The Minister of Home and Culture, H.E. Lyonpo Minjur Dorji; Mr. Dorjee Tshering, Director General of the Department of Culture; Mr. Tshewant Gyalpo, Director of Department of Culture; and Brigadier Kipchu Namgyel, Chief of Police Royal Bhutan Police.  All gave clear overviews of the current state of cultural property protection, regional statistics of loss, including case studies of the on-going vandalism of remote chortensor stupas. These religious sites are primarily targeted for the possible snatching of the valuable dzi bead, or cat’s eye agates. Since these relic beads are greatly sought after by Taiwanese and Chinese willing to pay tens of thousands of dollars for a stunning example, the thefts continue, perhaps by hire, and certainly executed by a well-greased international smuggling ring. The violation of these sacred protective sites deeply pains the Bhutanese, and steps are being taken to stem the on-going vandalism. Several law enforcement experts from Europe, as well as the deputy director of UNESCO, met with Bhutanese officials to discuss the urgency of this problem, and launch of a strategy and programs to end these thefts.

Ms. Brennan's coverage of the conference will continue tomorrow.
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Posted in Asia, Bhutan, conferences, cultural heritage, Interpol, Norway, Norwegian Minister of Foreign Affairs | No comments

Wednesday, 13 February 2013

ARCA Alum Julia Brennan Invited to Speak at the Conference on Protection of Cultural Property in Asia, Feb. 15-18, 2013

Posted on 06:13 by Unknown

Julia Brennan
ARCA Alum (2009) and textile conservator Julia Brennan will be one of the speakers at the Conference on Protection of Cultural Property in Asia in the Kingdom of Bhutan this week.  Ms. Brennan has worked in Bhutan and Thailand for more than a decade. She will be speaking on "Deterring the Illicit Art Trade and Preserving Cultural Heritage: The Essential Role of Collection Care Professionals and Preventive Conservation" on a panel moderated by Professor Wendy Larson, a specialist in East Asian Language and Literature at the University of Oregon.

Here's a link to the final agenda for the conference to be held Feb. 15-18.  Speakers include: Mr. Etienne Clement, Deputy Director, UNESCO, Bangkok, "International Convention on Illicit Traffic in Cultural Objects and other specific action by UNESCO"; Jean-Robert Gisler, Switzerland, "Fight Against Illicit Trafficking in Cultural Property in Switzerland as a Market Country: Organization, Perspective and Institutional Policy"; Karl-Heinz Kind, Germany: "Role of INTERPOL in the Fight Against Illicit Trafficking in Cultural Property"; Tshewang Gyalpo, Bhutan: "Protecting Moveable Cultural Properties in Bhutan"; Martin Finkelnberg, The Netherlands, "Technical Aspects of Protecting Cultural Property - Networking: A case of The Netherlands"; Ann Shaftel, Canada, "Need for Implementing Security Training in Traditional Buddhist Monasteries and Nunneries"; Dr. Iain Shearer, "The Trade in Illicit Afghan Cultural Property in London: The Response of Key British Institutions Since 2006"; Duncan Chappell, Australia and Damien Huffer, "Bringing Them Home: Some Contemporary Australian Perspectives on the Investigation, Prosecution, Seizure and Repatriation of Looted Asian Region Human Remains and Artefacts"; Major Guy Tubiana, France, "Experience of a Police Officer in the Protection of Cultural Property"; and Fabrizio Panone, Italy, "Fight Against Illicit Trafficking of Cultural Heritage: Oppositional Activities at International Level".
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Posted in Asia, Bhutan, Chappell, conferences, Cultural Property Protection, Julia Brennan, Martin Finkelnberg | No comments

Sunday, 3 February 2013

Cultural Property: Upcoming Conference on the Protection of Cultural Property in Asia

Posted on 07:41 by Unknown
Here's a link to the Conference on the Protection of Cultural Property in Asia to be held February 15-18th in Thimpu Bhutan.  This conference, sponsored by INTERPOL and the Norwegian Minister of Foreign Affairs,  will include a session on the issues of working with INTERPOL in protecting and recovering cultural property in Bhutan.  We'll amend this post to include the final agenda once posted online.
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Posted in Bhutan, conferences, cultural property crimes, Interpol, Norwegian Minister of Foreign Affairs | No comments
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  • jean-francois talbot
  • Jeffrey Gundlach
  • Jeu de Paume
  • Jewelry
  • Joe Medeiros
  • John Daab
  • john drewe
  • John Kleberg
  • john myatt
  • John Pollini
  • John Singleton Copley
  • Jonathon Keats
  • Joris Kila
  • Joshua Knelman
  • Judge Arthur Tompkins
  • judith harris
  • Jugha
  • Julia Brennan
  • Julian Radcliffe
  • Jungle Scawlers
  • Kabul
  • Kait Murphy
  • Kanchipuram
  • Karl von Habsburg
  • Katie Ogden
  • Ken Perenyi
  • Ken Polk
  • Kenya
  • Khachqar
  • Khalil-bey
  • King Tut
  • Kirsten Hower
  • Klimt
  • Knoedler & Company
  • Krak des Chevaliers
  • Krieghoff
  • Kunsthal Rotterdam
  • Kunsthistorisches Museum
  • L'Origine du Monde
  • LA
  • LA Times
  • La Valette's Sword and Dagger
  • LACMA
  • Lady in Gold
  • LAPD Art Theft Detail
  • largest art theft in Canada
  • Larry Coben
  • Laura Rush
  • Laurie Adams
  • Laurie Rush
  • Laviano
  • lawyer's committee for cultural heritage preservation
  • Lea Bondi Jaray
  • Leila Amineddoleh
  • Leonardo da Vinci
  • Leopold Museum
  • Lessons from the History of Art Crime
  • Levy
  • Lifetime Achievement in Defense of Art
  • Llewelyn Morgan
  • local community
  • London
  • looted antiquities
  • looted art
  • Looted WII Art
  • Looting
  • Looting Matters
  • Lord Byron
  • Los Angeles
  • Lost Art Internet Database
  • Lost Princess
  • louvre
  • Lucas Cranach the Elder
  • Lucian Freud
  • Lucien Freud
  • Lucien Pissaro
  • Ludo Block
  • Lydian kline
  • Lynda Albertson
  • Lynn Nicholas
  • Maeve Sheehan
  • Maijer de Haan
  • Makkah
  • Malawai National Museum
  • Malawi National Museum
  • Mali
  • Malta
  • mana
  • Manders Collection
  • Maori
  • maps and manuscripts
  • marble monument
  • Marc Balcells
  • Marc Gabolde
  • Marc Masurovsky
  • Marcel Duchamp
  • Marconi University
  • Marei von Saher
  • Mari
  • Maria Altmann
  • Marianne Rosenberg
  • Mario Buagiar
  • Mariotto di Nardo
  • Mark Landis
  • market
  • Martin Finkelnberg
  • Martin Kemp
  • Matisse
  • Matthew Bogdanos
  • Mauritshuis
  • Maurizio Seracini
  • Max Libermann
  • Max Stern
  • Maya Widmaier-Picasso
  • Medici
  • Meg Lambert
  • Melanesian wood carvings
  • Melvyn Kohn
  • memoir
  • Mes Aynak
  • messenger bags
  • metal detectors
  • Meyer de Haan
  • Michel van Rijn
  • Michelangelo
  • micro-roughness
  • mineral museum
  • minor modes
  • Mizzi Zimmerman
  • MoMA
  • Mona Lisa
  • Mona Lisa Foundation
  • Monet
  • money
  • money laundering
  • Montreal Museum of Fine Arts
  • Monuments Men
  • Moshe Dayan
  • Moshe Rynecki
  • Mougins Museum
  • movies
  • Munich
  • murals
  • Musee d'Art Moderne de la Ville de Paris
  • Musée d'Orsay
  • Museo Thyssen-Bornemisza
  • museum
  • Museum Catharijneconvent
  • museum funding
  • Museum of Anthropology
  • Museum of Decorative Arts in Bergen
  • Museum of Modern Art in Sweden
  • museum security
  • museum theft
  • Museum thefts
  • Museum van Bommel van Dam
  • museums
  • music
  • Mussolini
  • Myles J. Connor
  • mythology
  • Napoli
  • Narni
  • National Etruscan Museum
  • National Gallery in Prague
  • National Museum of Scotland
  • National Museum of Serbia
  • National Stolen Art File Search
  • Nativity
  • Nazi art
  • Nazi art theft
  • Nazi-era looted art
  • negotiate
  • Neil Brodie
  • Nemetz
  • netsuke
  • new york city
  • New Zealand
  • news media
  • Nice
  • Nicolas Poussin
  • Niels Rutger
  • Noah Charney
  • North America
  • Norton Simon Museum
  • Norway
  • Norwegian Minister of Foreign Affairs
  • Novi Sad City Museum
  • Nuraghic bronze statuettes
  • NYC
  • NYTimes
  • Odyssey Marine
  • Okinawa
  • Olympia
  • Oplontis
  • organized crime
  • Ori Z. Soltes
  • Orpheus mosaic
  • Oskar Kokoschka
  • Oxford
  • Pablo Picasso
  • Padma Kaimal
  • painting analysis
  • Palais Fesch
  • Palermo
  • Palestine
  • Palmyra
  • Paolo Ferri
  • Parioli
  • Paris
  • partage
  • Pasadena
  • Patras
  • Paul Gauguin
  • Paul Hendry
  • Paul Rosenberg
  • Penny Jackson
  • People Not Stones
  • Permanenten Vestlandske Kunstindustrimuseum
  • Peru
  • Peter Paul Rubens
  • Peter Silverman
  • Peter Watson
  • petition
  • photographers
  • Picasso
  • pickpockets
  • Pico Iyer
  • plastic
  • Poland
  • Polaroids
  • police cooperation
  • police seizures
  • political economy
  • Pompeii
  • Port of Rotterdam
  • Porta Romana
  • Portrait of Wally
  • Post Certificate Program
  • preservation
  • press conference
  • Pretoria Art Museum
  • Princeton
  • private insurance
  • private policing
  • profilometry
  • prosecution
  • provenance
  • Provenance Research Training Program
  • psychology of forgers
  • public awareness
  • QDE process
  • Quebec
  • Quebec Art Crime team
  • Questioned Document Examination
  • Rachel Ruysch
  • Rajlich
  • Ralph Frammolino
  • Rape of Europa
  • rare maps
  • Rathkeal Rovers
  • RCMP
  • Rebecca Dreyfus
  • recovered cultural patrimony
  • Recoveries
  • recovery
  • religious art
  • Rembrandt
  • Renoir
  • renovation
  • repatriation
  • research
  • residential
  • restitution
  • Restitution Court
  • restoration
  • Reuters
  • reward
  • RFID
  • Rhino thefts
  • Richard Abath
  • Richard Ellis
  • Rick Abath
  • Rick St. Hilaire
  • Rijksmuseum
  • robbery
  • Robert Edsel
  • Robert Gentile
  • Robert Mang
  • Robert Volpe
  • Robert Wittman
  • Robin Symes
  • Rodolfo Siviero
  • Roman bronzes
  • Romania
  • Romanian Police
  • Rome
  • Rosa da Tivoli
  • Rossetti
  • roughness
  • Rudolf Leopold
  • Ruoppolo
  • Ruth Godthelp
  • S. 2212
  • Sackler Galleries of Art
  • sale of stolen paintings
  • Salvator Rosa
  • Sandy Nairne
  • Santa Monica
  • Sarajevo Haggadah
  • Sardinia
  • Sassari
  • Saving Italy
  • scandals
  • Schinousa archive
  • Scholarship - Books
  • Schoonhoven
  • Schubert at the Piano
  • Schwabing Art Fund
  • Schwabinger Kunstfund
  • Scotland
  • Scotland Yard
  • sculptor
  • Sea of Galilee
  • security
  • Security guards
  • security options
  • security specialist
  • sentencing
  • Serbia
  • Sharon Cohen Levin
  • shipwrecks
  • Sicilian Mafia
  • Sicily
  • Sisley
  • Skokloster Castle
  • smash and grab
  • smuggling
  • snuffboxes
  • sociology of crime
  • Sotheby's Auction
  • South Africa
  • South India
  • Spain
  • speaker
  • Spring 2013
  • spring/summer 2012
  • St. Patrick's Day
  • stamp theft
  • Stealing Rembrandts
  • Stefano Alessandrini
  • stele
  • Stockholm
  • stolen antiquities
  • stolen art
  • Stolen Art Bulletins
  • stolen art database
  • Stolen Art Recovered
  • Stolen Artwork Restitution Act
  • Stolen the film
  • Stonehill Art Crime Symposium
  • Stonehill college
  • street art
  • strikes
  • Stroganov Collection
  • stuart george
  • study of art crime
  • Stuttgart Fine Art and Antiquities Squad
  • summary
  • Sureté du Québec
  • surveillance video
  • Sussex Police Art and Antiques Squad
  • Sustainable Preservation Initiative
  • Sweden
  • Swedish Royal Library
  • Switzerland
  • Sydney
  • Symes
  • Symposium
  • Syria
  • ta moko
  • Takeaway Rembrandt
  • Taliban
  • Tauranga Art Gallery
  • tax fraud
  • Teddy Kollek
  • television
  • Tess Davis
  • textiles
  • Thailand
  • The Caravaggio Conspiracy
  • The Empty Frame
  • the Getty
  • the Journal of Art Crime
  • The Journal on Art Crime
  • the medici conspiracy
  • the met
  • the missing piece
  • The Monuments Men
  • The Netherlands
  • The New York Times
  • The New Yorker
  • The Palermo Nativity
  • The Rape of Europa
  • The Scream
  • The Venus Fixers
  • theft
  • Thierry Lenain
  • Thomas Kline
  • Timbuktu
  • Tom Flynn
  • Tom Keating
  • Tom Mashberg
  • Ton Cremers
  • TPC
  • Trance
  • Transnational crime
  • travel
  • treasure
  • Triamphal Quadriga
  • trickster
  • Triton Collection
  • Turkey
  • Typology of interfaces
  • U. S. Fish and Wildlife Service
  • U.S. News
  • UBC
  • Uffizi Gallery
  • UK
  • Ulrich Boser
  • Umbrians
  • undercover agent
  • UNESCO
  • United States
  • Universal Museums
  • University of Pennsylvania
  • Unlisted Conference
  • unsolved art theft
  • urgency
  • US law
  • V&A Symposium
  • Valerie Higgins
  • Van Gogh
  • Van Gogh Museum
  • Vancouver
  • vandalism
  • Veletrzni Palace
  • venice
  • Vermeer
  • vernon rapley
  • Victoria and Albert Museum
  • Victoria Reed
  • Victorian crime
  • Vienna
  • Viking artifacts
  • Villa Giulia
  • Vincent van Gogh
  • Vincenzo Peruggia
  • violin recovery
  • violin theft
  • Virginia Curry
  • Virginia Museum of Arts
  • Wales
  • Wall Street Journal
  • war booty
  • warrant
  • wartime losses
  • Washington DC
  • West Africa
  • Whicher
  • William Kingsland
  • wine fraud
  • Witches in Air
  • Worcester Art Museum
  • workshop
  • world heritage sites
  • World Press Photo Exhibit
  • World War II
  • writer in residence
  • Yale University
  • Zurich

Blog Archive

  • ▼  2013 (295)
    • ▼  December (29)
      • Was the repatriation of a footless 10th century st...
      • Fabio Isman reports on scholar Augusto Gentili's i...
      • Link to Radio New Zealand's Interview with Penny J...
      • "Selling Russia's Treasures" writes about the coll...
      • A flaming Swedish Christmas tradition – the annual...
      • Christos Tsirogiannis Interviews Marc Balcells in ...
      • Marc Balcells Introduces Christos Tsirogiannis in ...
      • Ilaria Dagnini Brey's "The Venus Fixers" and Rober...
      • Editorial Essay: Suzette Scotti writes about "Do U...
      • Christos Tsirogiannis on "From Apulia to Virginia:...
      • Derek Fincham's column "The Empty Frame" on "Detro...
      • Columnist David Gill on "The Cleveland Apollo Goes...
      • Noah Charney in "Lessons from the History of Art C...
      • Marine Fidanyan on "Destruction of Jugha Necropoli...
      • Brent E. Huffman Presenting Special Advance Screen...
      • Christie's New York Auction of "Antiquities" withd...
      • Duryodhana statue from Prasat Chen, Cambodia: "Vol...
      • Sotheby's sells Symes marble matched by Dr. Christ...
      • Felicity Strong on "The Mythology of the Art Forge...
      • Bojan Dobovšek and Boštjan Slak on "Criminal Ins...
      • Update on the search for the oeuvre of Polish arti...
      • "Victorian Art Theft in England: Early Cases and S...
      • Gurlitt Art Collection: The Economist publishes le...
      • "The Crime That Pays? The Canadian Print Media's C...
      • Isabella Stewart Gardner Theft: Boston's WGBH News...
      • DIA evaluation of $2 billion includes only 'works ...
      • The Fall 2013 issue of The Journal of Art Crime No...
      • Persian chalice authentic or fake? Dutch Art Inves...
      • ARCA Associates participating in International Con...
    • ►  November (41)
    • ►  October (17)
    • ►  September (13)
    • ►  August (47)
    • ►  July (28)
    • ►  June (16)
    • ►  May (14)
    • ►  April (21)
    • ►  March (35)
    • ►  February (19)
    • ►  January (15)
  • ►  2012 (205)
    • ►  December (8)
    • ►  November (20)
    • ►  October (36)
    • ►  September (12)
    • ►  August (19)
    • ►  July (26)
    • ►  June (19)
    • ►  May (27)
    • ►  April (21)
    • ►  March (17)
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