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Showing posts with label Duncan Chappell. Show all posts
Showing posts with label Duncan Chappell. Show all posts

Sunday, 1 December 2013

ARCA Associates participating in International Conference on Protecting Cultural Heritage As a Common Good of Humanity: A Challenge for Criminal Justice; Italian conference scheduled Dec. 13-15 in Courmayeur Mont Blanc

Posted on 00:00 by Unknown
ARCA's CEO Lynda Albertson; ARCA lecturers Richard Ellis and Derek Fincham; and 2012 and 2013 award winners, Jason Felch and Duncan Chappell, will be speaking at the International Conference on Protecting Cultural Heritage As a Common Good of Humanity: A Challenge for Criminal Justice on December 13-15 in Courmayeur Mont Blanc in Italy 13-15 December 2013.

This cultural heritage protection conference is the initiative of International Scientific and Professional Advisory Council of the United Nations; Crime Prevention and Criminal Justice Programme-ISPAC; Fondazione Centro Nazionale di Prevenzione e Difesa Sociale-CNPDS; and Fondazione Courmayeur Mont Blanc in co-operation with United Nations Office on Drugs and Crime-UNODC, Vienna under the auspices of the Italian Ministry of Foreign Affairs.
ISPAC is organizing an International Conference aimed at exploring the indispensable role of crime prevention and criminal justice responses, at both international and domestic level, in combating all forms of trafficking in cultural property and related offences in a comprehensive and effective manner. This Conference addressed to international organizations, national enforcement agencies, academics, cultural institutions, private sector operators in art and antiquities follows a long-established commitment of ISPAC in the protection of cultural heritage and public goods as one of the most relevant challenges for contemporary criminal policy. Cultural heritage has come to be perceived not only as an asset for the "source Countries", but also, more relevantly, as the object of a cultural right any human being is entitled to, as well as a fundamental heritage for the whole mankind. Hence the growing interest that the United Nations, as well as many other international organizations, have been developing in the phenomenon, and the commitment to produce and implement international legal instruments aimed at protecting cultural heritage. 
In the past, several instruments have been adopted. The prevention and sanctioning of harms traditionally inflicted to cultural property during wars was the first aim to be pursued through the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict (1954), and its Additional Protocols as well as the Additional Protocols to the Geneva Conventions (1977). Other interventions by the international community focussed on illicit imports, exports and transfers of ownership of cultural property under any kind of circumstance, and namely the UNESCO Convention (1970), as well as the UNIDROIT Convention on Stolen or Illegally Exported Cultural Objects (1995). The international commitment to the safeguard of cultural heritage found also expression in several other international instruments, such as the UNESCO Convention on the Protection of the Underwater Cultural Heritage (2001), the European Convention on Offences relating to Cultural Property (1985), the European Convention on the Protection of the Archaeological Heritage (1969) and its revised version (1992). 
Nowadays the pervasiveness of this phenomenon, and its very complex features, are increasingly acknowledged at both international and national level. Trafficking in cultural property, as well as all other crimes related to cultural objects (such as looting, illicit import and export, forgery, and so on), are believed to be a constantly growing sector of criminality, and an increasingly attractive one for national and transnational criminal organizations. Hence, too, the growing involvement of the United Nations Office on Drugs and Crime in drafting and implementing international instruments to face offences against cultural heritage. Since 2009 several initiatives were adopted pursuant to Economic and Social Council resolution 2008/23. In its resolution 2010/19, then, the Council considered that the Organized Crime Convention (2000), as well as the UN Convention against Corruption (2003), should be fully used for the purpose of strengthening the fight against trafficking in cultural property. At its twentieth session, the Commission on Crime Prevention and Criminal Justice prepared a draft resolution (2011/42) entitled Strengthening Crime Prevention and Criminal Justice Responses to Protect Cultural Property, Especially with Regard to its Trafficking, in which it mandated the Secretariat to further explore the development of specific guidelines for crime prevention and criminal justice responses with respect to trafficking in cultural property, and invited Member States to submit written comments on the UN Model Treaty for the Prevention of Crimes that Infringe on the Cultural Heritage of Peoples in the Form of Movable Property. Finally, in April 2013, the Commission on Crime Prevention and Criminal Justice recommended to the ECOSOC a draft resolution on Strengthening Crime Prevention and Criminal Justice Responses to Protect Cultural Property, Especially with Regard to its Trafficking, to be submitted for adoption to the General Assembly. The Thirteenth United Nations Congress on Crime Prevention and Criminal Justice (to be held in Qatar in 2015) will specifically focus - among others - on comprehensive and balanced approaches to prevent and adequately respond to new and emerging forms of transnational crime, such as trafficking of cultural property. 
ISPAC's Conference aims at exploring the indispensable role of crime prevention and criminal justice responses in combating all forms of trafficking in cultural property and related offences in a comprehensive and effective manner; the need for States to consider reviewing their legal frameworks, in order to provide the most extensive international cooperation to fully address trafficking in cultural property; the possibility for national jurisdictions to make trafficking in cultural property (including stealing and looting at archaeological and other cultural sites) a serious crime, as defined in art. 2 UNCTOC, as well as to fully utilize that Convention for the purpose of extensive international cooperation; finally, the importance of a speedy and effective finalization of the Guidelines, on the basis of the work carried out in the last years. Further issues worth consideration will be the need for credible and comparable data on different aspects of crimes against cultural property, including the links with transnational organized crime and the laundering of illicit proceeds, as well as the benefits of collecting and comparing best practices both in the public and in the private sector. 
PROGRAMME (contacts with panellists are in progress)
Opening Session • LODOVICO PASSERIN de ENTRÈVES, Chair of the Scientific Committee of the Courmayeur Mont Blanc Foundation, Italy • FABRIZIA DERRIARD, Mayor of Courmayeur, Italy • AUGUSTO ROLLANDIN, President, Region of Aosta Valley, Italy • LIVIA POMODORO, President, Court of Milan, Italy; CNPDS/ISPAC Chairman • Italian Ministry of Cultural Heritage and Activities and Tourism • Italian Ministry of Foreign Affairs
Keynote Address • JOHN SANDAGE, Director Division for Treaty Affairs, United Nations Office on Drugs and Crime-UNODC, Vienna, Austria 
Session I ILLEGAL TRAFFIC OF CULTURAL PROPERTY : THE NEED FOR A REFORM Chair DUNCAN CHAPPELL, Professor of Criminal Law and Criminology, University of Sydney, Australia; ISPAC Board Member
• Cultural Heritage and Commons: New Tasks for International Community. UGO MATTEI, Professor of Private Comparative Law at University of Turin, Italy; University of California, Hastings College of Law, USA 
• Curbing Illegal Traffic of Cultural Property: Initiatives at the International Level STEFANO MANACORDA, Professor of Criminal Law at the University of Naples II, Italy; Collège de France, Paris, France; Deputy Chair and Director ISPAC 
• Anatomy of a Statue Trafficking Network: an Empirical Report from Regional Case Study Fieldwork SIMON MACKENZIE, Professor of Criminology, Law and Society at the University of Glasgow, UK
SESSION II THE INTERNATIONAL INSTITUTIONS AND THE FIGHT AGAINST ILLICIT TRAFFICKING OF CULTURAL PROPERTY Chair TULLIO SCOVAZZI, Professor of International Law, University of Milan Bicocca, Italy
• ALBERTO DEREGIBUS, Colonel, Cultural Heritage Protection Unit, Carabinieri Corps, UNESCO, Paris, France
• SARA GREENBLATT, Chief, Organized Crime Branch, Division for Treaty Affairs, UNODC, Vienna, Austria
• FOLARIN SHYLLON, Professor at Faculty of Law, University of Ibadan, Nigeria 
Session III INTERNATIONAL COOPERATION: OPPORTUNITIES AND CHALLENGES NATIONAL JURISDICTION Chair EMILIO VIANO, Professor, Department of Justice, Law and Society, American University, Washington DC, USA 
• HUANG FENG, Professor of Criminal Law, Director Institute for International Criminal Law, Beijing Normal University, China 
• DEREK FINCHAM, Associate Professor, South Texas College of Law, Houston, USA 
• Cultural heritage crime in the Islamic Penal Code of Iran MIR MOHAMMAD SADEGHI, Professor of Criminal Law and Head of Department of Criminal Law and Criminology, Shahid Beheshti University, Tehran, Iran; UNESCO Chairholder for Human Rights, Peace And Democracy, Shahid Beheshti University, Tehran, Iran 
• HELENA REGINA LOBO DA COSTA, Professor, University of São Paulo, Brazil (tbc) 
• ADOLFO MEDRANO MALLQUI, Professor of Criminal Law, Lawyer, Lima, Peru Coffee Break 
SESSION III (continued) POLICE COOPERATION Chair EMILIO VIANO, Professor, Department of Justice, Law and Society, American University, Washington DC, USA 
• RICHARD ELLIS, Founder of Scotland Yard! s Art and Antiquities Squad, London, UK • ANTONIO COPPOLA, Major, Head of the Operative Cultural Heritage Protection Unit, Carabinieri Corps, Rome, Italy 
• STÉPHANE GAUFFENY, Colonel, Central office for the fight against Illicit Traffic in Cultural Goods (OCBC), Central Directorate of Judicial Police, Paris, France (tbc) 
• DOMENICO GIANI, Inspector General of the Gendarmeria Corps, Vatican City (tbc 
SESSION III (continued) RETURN, RESTITUTION AND CONFISCATION Chair LUIS ARROYO ZAP ATERO, Professor of Criminal Law, Universidad Castilla-la-Mancha, Spain
• Restitution and International Judicial Cooperation MARC-ANDRÉ RENOLD, Professor of Art and Cultural Property Law; Director of the Art-Law Centre; Holder of the UNESCO Chair in the International Law of Cultural Heritage at the University of Geneva, Switzerland
MARIE PFAMMATTER, post doctoral researcher, University of Geneva, Switzerland
• PASCAL BEAUVAIS, Professor, University of Paris Ouest Nanterre, Paris France
• STEVEN FELDMAN, Partner, Herrick, Feinstein LLP, New York, USA
• MARK V. VLASIC, Senior Fellow & Adjunct Professor of Law, Georgetown University, Washington, USA
SESSION IV THE ROLE OF THE PRIVATE ACTORS IN PREVENTING ILLEGAL TRAFFIC Chair LUIS ARROYO ZAP ATERO, Professor of Criminal Law, Universidad Castilla-la-Mancha, Spain
• ROBERT WITTMAN, Art Crime Investigator, President of Robert Wittman Inc., Pennsylvania, USA
• JAMES RATCLIFFE, Head of Recoveries, The Art Loss Register-ALR, London, UK
• LYNDA ALBERTSON, Chief Executive Officer, Association for Research into Crimes against Art-ARCA, Rome, Italy
• ROBERT N. LAYNE, Executive Director, International Foundation for Cultural Property Protection, Denver, CO, USA
• MARK STARLING, Chair, International Convention Of Exhibition And Fine Art Transporters-ICEFAT, Toronto, Canada
Round Table PROTECTING CULTURAL PROPERTY: CASE STUDIES AND BEST PRACTICES Chair SIMON MACKENZIE, Professor of Criminology, Law and Society at the University of Glasgow, UK 
• GIOVANNI MELILLO, Prosecutor, Court of Naples, Italy 
• FABRIZIO LEMME, Professor and Lawyer, Rome, Italy
• TESS DAVIS, Vice Chair of the American Society of International Law! s Cultural Heritage and the Arts Interest Group - Researcher SCCJR, School of Social and Political Sciences, University of Glasgow, UK 
• FABIO ISMAN, Journalist, Italy 
• JASON FELCH, Journalist, Los Angeles Times, USA 
Conference Venue Conference Hall, Hôtel Pavillon Via Regionale, 62 - 11013 Courmayeur (AO) Official Languages English and Italian with simultaneous interpretation 
Conference Secretariat Fondazione Centro nazionale di prevenzione e difesa sociale-CNPDS Palazzo Comunale delle Scienze Sociali 3, Piazza Castello - 20121 Milano MI Tel.: +39 02 86.46.07.14 - Fax: +39 02 72.00.84.31 E-mail: cnpds.ispac@cnpds.it - Home page: www.cnpds.it Home page: http://ispac.cnpds.org
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Posted in Cultural Property Protection, Derek Fincham, Duncan Chappell, Jason Felch, Lynda Albertson, Richard Ellis | No comments

Wednesday, 28 August 2013

ARCA 2013 Conference: Presenting the Awards to this year's ARCA Award Winners

Posted on 00:00 by Unknown
by Marc Balcells

After five years of meeting annually in beautiful Amelia, it is a fait accompli that ARCA’s conference is an established forum that reunites researchers and practitioners alike for the discussion of the latest advances in research on art crimes and cultural heritage protection. The good health of the conference year after year and the positive outcomes and feedback received year after year are motives of celebration; however, if there is a real moment for celebration in the conference is in the afternoon of the first day, when we award four outstanding persons regarding their efforts in saving and protecting cultural heritage.

This year’s award winners were Christos Tsirogiannis, an archaeologist conducting research in illicit antiquities trade at the University of Cambridge and former member of the Hellenic Ministry of Justice; Duncan Chappell, Professor in the Faculty of Law at the University of Sydney; Blanca Niño Norton, Consultant at the Petén Development Project for the conservation of the Maya Biosphere Reserve, depending from the Ministry of Environment of Natural Resources, and member of ICOMOS (the International Council on Monuments and Sites) and ICCROM (the International Center for the Study of the Preservation and Restoration of Cultural Property); and Sharon Cohen Levin, Chief of the Asset Forfeiture Unit in the United States Attorney's Office for the Southern District of New York.

Dr. Edgar Tijhuis, professor at the Masters Program and a trustee of the organization, introduced Mr. Tsirogiannis’ award, on art protection and security. The awarded presented on his work, based on the illicit trade of looted archaeological goods. His presentation became an interesting and valuable who’s who of the characters of the gran razzia that happened recently in Italy: names like Marion True, Giacomo Medici, Robin Symes or Christos Michaelides became pivotal points of Mr. Tsirogiannis’ presentation, compiling stories of pieces recuperated by Italian law enforcement worldwide.

Ms. Lynda Albertson, ARCA’s CEO,  presented the Eleanor and Anthony Vallombroso Award for Art Crime Scholarship to Dr. Duncan Chappell, who heartily thanked the organization for the honor bestowed upon him. Dr. Chappell greatly deserves this award, as he has written extensively on the topic of art crime from a criminological perspective. To everybody, but especially to us criminologists, his work is invaluable. He has written articles for ARCA’s Journal of Art Crime, and along with Stefano Manacorda edited Crime in the Art and Antiquities World: Illegal Trafficking in Cultural Property (Springer 2011).

I had the honor to present the Lifetime Achievement in Defense of Art to Mrs. Niño Norton. A true contemporary renaissance woman (besides being an architect she is a sculptor and a painter), Mrs. Niño Norton delivered a presentation based on Guatemala’s different forms of cultural heritage, its threats, and the different projects she spearheads for its protection, which range from architecture to the copying of Guatemalan statues in the middle of the jungle (so the originals can be properly preserved in cultural institutions) or the restoration of looted tombs by locals.    

Finally, HRH Ravivaddhana Sisowath, Prince of Cambodia, introduced the Art Policing and Recovery Award to Mrs. Sharon Cohen Levin; and accordingly, provided Mrs. Cohen Levin’s office fights for the 10th-century Khmer statue that Sotheby’s hopes to sell at auction. Mrs. Cohen Levin presented on art related assed forfeitures in recent cases she has dealt with. In her very lively presentation, the awarded prosecutor showed to the audience important cases like the forfeiture of the Portrait of Wally, by Egon Schiele, along more original cases like the prosecution of dealer Eric Prokopi and the forfeiture of… a dinosaur!

In sum, a feast for the arts, and a celebration for all of us who care about the protection of cultural heritage. These awards are small tokens to great works of love done by even greater people. Congratulations!
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Posted in 2013 ARCA Annual Art And Heritage Conference, 2013 ARCA Award Winners, Blanca Niño Norton, Christos Tsirogiannis, Duncan Chappell, Sharon Cohen Levin | No comments

Wednesday, 27 March 2013

Australian Law Professor Duncan Chappell Wins ARCA's 2013 Eleanor and Anthony Vallombroso Award for Art Crime Scholarship

Posted on 00:00 by Unknown
Duncan Chappell, Professor in the Faculty of Law at the University of Sydney, Australia, won ARCA's 2013 Eleanor and Anthony Vallombroso Award for Art Crime Scholarship that usually goes to a professor or author. Past winners: Norman Palmer (2009); Larry Rothfield (2010); Neil Brodie (2011); and Jason Felch and Ralph Frammolino, jointly (2012).

Duncan Chappell, an Australian lawyer and criminologist now based at the Faculty of Law at the University of Sydney, has had a long-standing interest in art crime which dates from the period during which he was the Director of the Australian Institute of Criminology (1987-1994). Since that time he has been engaged in research and publishing on a range of art crime topics but with a particular focus on patterns of illegal trafficking of objects of cultural heritage in the South East Asian region. Much of this research and publishing has been undertaken in collaboration with a friend and colleague at the University of Melbourne, Professor Kenneth Polk.

Duncan Chappell’s publications include two coedited texts: Crime in the Art and Antiquities World. Illegal Trafficking in Cultural Property (2011) Springer: New York (With Stefano Manacorda) and Contemporary Perspectives on the Detection, Investigation and Prosecution of Art Crime (In Press) Ashgate: London (With Saskia Hufnagel). He has also had published a number of journal articles and book chapters on various aspects of art crime including fraud and fakery in the Australian Indigenous art market; the impact of corruption in the illicit trade in cultural property; and the linkages between art crime and organized crime.

In addition to his research and writing on art crime Duncan Chappell has acted as an expert in regard to court proceedings involving art crime and also been a strong supporter of  measures to enhance public awareness of the evils of looting behaviour and to strengthen the engagement of law enforcement agencies in investigation and prosecuting those responsible. In his present capacity as Chair of the International Advisory Board of the Australian Research Council Center of Excellence in Policing and Security, he has sought to foster a far more proactive approach to the prevention and detection of art crime both in Australia and its neighbouring countries within the South East Asian region.
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Posted in ARCA Awards, Duncan Chappell, Eleanor and Anthony Vallombroso Award for Art Crime Scholarship | No comments
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  • Han Van Meegeren
  • handbook
  • Hare with the Amber Eyes
  • HARP
  • Harry Ettlinger
  • Harvard
  • Hattusa Sphinx
  • Hawley
  • Headache Art
  • Helen Mirren
  • Henri Matisse
  • Herculaneum
  • high value art
  • HIldebrand Gurlitt
  • historical documents
  • holiday thefts
  • Holocaust Art Restitution Project
  • Holocaust restitution
  • Holocaust Restitution Project
  • Hong Kong
  • Honoré Daumier
  • Hot Art
  • Hôtel Lambert
  • Howard Spiegler
  • Hufnagel
  • Hugh Eakin
  • Hugo Simon
  • ICE
  • ICOM
  • iconoclasm
  • identification
  • IFAR
  • Il Veronese
  • Ilaria Dagnini Brey
  • Île St Louis
  • illegal actors
  • illegal trafficking
  • illicit antiquities
  • illicit art trade
  • illicit cultural property
  • illicit trafficking
  • Illuminated Manuscripts
  • immunity
  • in the media
  • Incallajta
  • Incan
  • Inferno
  • Insider theft
  • Integrated Risk Management
  • international
  • International Art Crime Conference
  • International Art Crime Tribunal
  • internet
  • Interpol
  • interview
  • Intifada
  • inventory
  • investigation
  • investigation problems
  • Ioana Patran
  • Irish Independent
  • Irish Travellers
  • Isabella Stewart Gardner Museum
  • ISGM
  • Islam
  • Israel
  • Istanbul
  • Istanbul Archaeology Museum
  • Italy
  • J. Paul Getty
  • Jacob Meyer De Haan
  • Jacques Goudstikker
  • James Alex Bond
  • James Cuno
  • James Moore
  • James Tissot
  • James Whitey Bulger
  • Jane A. Levine
  • Japan
  • Jason Felch
  • Jean Jacques Fernier
  • jean-francois talbot
  • Jeffrey Gundlach
  • Jeu de Paume
  • Jewelry
  • Joe Medeiros
  • John Daab
  • john drewe
  • John Kleberg
  • john myatt
  • John Pollini
  • John Singleton Copley
  • Jonathon Keats
  • Joris Kila
  • Joshua Knelman
  • Judge Arthur Tompkins
  • judith harris
  • Jugha
  • Julia Brennan
  • Julian Radcliffe
  • Jungle Scawlers
  • Kabul
  • Kait Murphy
  • Kanchipuram
  • Karl von Habsburg
  • Katie Ogden
  • Ken Perenyi
  • Ken Polk
  • Kenya
  • Khachqar
  • Khalil-bey
  • King Tut
  • Kirsten Hower
  • Klimt
  • Knoedler & Company
  • Krak des Chevaliers
  • Krieghoff
  • Kunsthal Rotterdam
  • Kunsthistorisches Museum
  • L'Origine du Monde
  • LA
  • LA Times
  • La Valette's Sword and Dagger
  • LACMA
  • Lady in Gold
  • LAPD Art Theft Detail
  • largest art theft in Canada
  • Larry Coben
  • Laura Rush
  • Laurie Adams
  • Laurie Rush
  • Laviano
  • lawyer's committee for cultural heritage preservation
  • Lea Bondi Jaray
  • Leila Amineddoleh
  • Leonardo da Vinci
  • Leopold Museum
  • Lessons from the History of Art Crime
  • Levy
  • Lifetime Achievement in Defense of Art
  • Llewelyn Morgan
  • local community
  • London
  • looted antiquities
  • looted art
  • Looted WII Art
  • Looting
  • Looting Matters
  • Lord Byron
  • Los Angeles
  • Lost Art Internet Database
  • Lost Princess
  • louvre
  • Lucas Cranach the Elder
  • Lucian Freud
  • Lucien Freud
  • Lucien Pissaro
  • Ludo Block
  • Lydian kline
  • Lynda Albertson
  • Lynn Nicholas
  • Maeve Sheehan
  • Maijer de Haan
  • Makkah
  • Malawai National Museum
  • Malawi National Museum
  • Mali
  • Malta
  • mana
  • Manders Collection
  • Maori
  • maps and manuscripts
  • marble monument
  • Marc Balcells
  • Marc Gabolde
  • Marc Masurovsky
  • Marcel Duchamp
  • Marconi University
  • Marei von Saher
  • Mari
  • Maria Altmann
  • Marianne Rosenberg
  • Mario Buagiar
  • Mariotto di Nardo
  • Mark Landis
  • market
  • Martin Finkelnberg
  • Martin Kemp
  • Matisse
  • Matthew Bogdanos
  • Mauritshuis
  • Maurizio Seracini
  • Max Libermann
  • Max Stern
  • Maya Widmaier-Picasso
  • Medici
  • Meg Lambert
  • Melanesian wood carvings
  • Melvyn Kohn
  • memoir
  • Mes Aynak
  • messenger bags
  • metal detectors
  • Meyer de Haan
  • Michel van Rijn
  • Michelangelo
  • micro-roughness
  • mineral museum
  • minor modes
  • Mizzi Zimmerman
  • MoMA
  • Mona Lisa
  • Mona Lisa Foundation
  • Monet
  • money
  • money laundering
  • Montreal Museum of Fine Arts
  • Monuments Men
  • Moshe Dayan
  • Moshe Rynecki
  • Mougins Museum
  • movies
  • Munich
  • murals
  • Musee d'Art Moderne de la Ville de Paris
  • Musée d'Orsay
  • Museo Thyssen-Bornemisza
  • museum
  • Museum Catharijneconvent
  • museum funding
  • Museum of Anthropology
  • Museum of Decorative Arts in Bergen
  • Museum of Modern Art in Sweden
  • museum security
  • museum theft
  • Museum thefts
  • Museum van Bommel van Dam
  • museums
  • music
  • Mussolini
  • Myles J. Connor
  • mythology
  • Napoli
  • Narni
  • National Etruscan Museum
  • National Gallery in Prague
  • National Museum of Scotland
  • National Museum of Serbia
  • National Stolen Art File Search
  • Nativity
  • Nazi art
  • Nazi art theft
  • Nazi-era looted art
  • negotiate
  • Neil Brodie
  • Nemetz
  • netsuke
  • new york city
  • New Zealand
  • news media
  • Nice
  • Nicolas Poussin
  • Niels Rutger
  • Noah Charney
  • North America
  • Norton Simon Museum
  • Norway
  • Norwegian Minister of Foreign Affairs
  • Novi Sad City Museum
  • Nuraghic bronze statuettes
  • NYC
  • NYTimes
  • Odyssey Marine
  • Okinawa
  • Olympia
  • Oplontis
  • organized crime
  • Ori Z. Soltes
  • Orpheus mosaic
  • Oskar Kokoschka
  • Oxford
  • Pablo Picasso
  • Padma Kaimal
  • painting analysis
  • Palais Fesch
  • Palermo
  • Palestine
  • Palmyra
  • Paolo Ferri
  • Parioli
  • Paris
  • partage
  • Pasadena
  • Patras
  • Paul Gauguin
  • Paul Hendry
  • Paul Rosenberg
  • Penny Jackson
  • People Not Stones
  • Permanenten Vestlandske Kunstindustrimuseum
  • Peru
  • Peter Paul Rubens
  • Peter Silverman
  • Peter Watson
  • petition
  • photographers
  • Picasso
  • pickpockets
  • Pico Iyer
  • plastic
  • Poland
  • Polaroids
  • police cooperation
  • police seizures
  • political economy
  • Pompeii
  • Port of Rotterdam
  • Porta Romana
  • Portrait of Wally
  • Post Certificate Program
  • preservation
  • press conference
  • Pretoria Art Museum
  • Princeton
  • private insurance
  • private policing
  • profilometry
  • prosecution
  • provenance
  • Provenance Research Training Program
  • psychology of forgers
  • public awareness
  • QDE process
  • Quebec
  • Quebec Art Crime team
  • Questioned Document Examination
  • Rachel Ruysch
  • Rajlich
  • Ralph Frammolino
  • Rape of Europa
  • rare maps
  • Rathkeal Rovers
  • RCMP
  • Rebecca Dreyfus
  • recovered cultural patrimony
  • Recoveries
  • recovery
  • religious art
  • Rembrandt
  • Renoir
  • renovation
  • repatriation
  • research
  • residential
  • restitution
  • Restitution Court
  • restoration
  • Reuters
  • reward
  • RFID
  • Rhino thefts
  • Richard Abath
  • Richard Ellis
  • Rick Abath
  • Rick St. Hilaire
  • Rijksmuseum
  • robbery
  • Robert Edsel
  • Robert Gentile
  • Robert Mang
  • Robert Volpe
  • Robert Wittman
  • Robin Symes
  • Rodolfo Siviero
  • Roman bronzes
  • Romania
  • Romanian Police
  • Rome
  • Rosa da Tivoli
  • Rossetti
  • roughness
  • Rudolf Leopold
  • Ruoppolo
  • Ruth Godthelp
  • S. 2212
  • Sackler Galleries of Art
  • sale of stolen paintings
  • Salvator Rosa
  • Sandy Nairne
  • Santa Monica
  • Sarajevo Haggadah
  • Sardinia
  • Sassari
  • Saving Italy
  • scandals
  • Schinousa archive
  • Scholarship - Books
  • Schoonhoven
  • Schubert at the Piano
  • Schwabing Art Fund
  • Schwabinger Kunstfund
  • Scotland
  • Scotland Yard
  • sculptor
  • Sea of Galilee
  • security
  • Security guards
  • security options
  • security specialist
  • sentencing
  • Serbia
  • Sharon Cohen Levin
  • shipwrecks
  • Sicilian Mafia
  • Sicily
  • Sisley
  • Skokloster Castle
  • smash and grab
  • smuggling
  • snuffboxes
  • sociology of crime
  • Sotheby's Auction
  • South Africa
  • South India
  • Spain
  • speaker
  • Spring 2013
  • spring/summer 2012
  • St. Patrick's Day
  • stamp theft
  • Stealing Rembrandts
  • Stefano Alessandrini
  • stele
  • Stockholm
  • stolen antiquities
  • stolen art
  • Stolen Art Bulletins
  • stolen art database
  • Stolen Art Recovered
  • Stolen Artwork Restitution Act
  • Stolen the film
  • Stonehill Art Crime Symposium
  • Stonehill college
  • street art
  • strikes
  • Stroganov Collection
  • stuart george
  • study of art crime
  • Stuttgart Fine Art and Antiquities Squad
  • summary
  • Sureté du Québec
  • surveillance video
  • Sussex Police Art and Antiques Squad
  • Sustainable Preservation Initiative
  • Sweden
  • Swedish Royal Library
  • Switzerland
  • Sydney
  • Symes
  • Symposium
  • Syria
  • ta moko
  • Takeaway Rembrandt
  • Taliban
  • Tauranga Art Gallery
  • tax fraud
  • Teddy Kollek
  • television
  • Tess Davis
  • textiles
  • Thailand
  • The Caravaggio Conspiracy
  • The Empty Frame
  • the Getty
  • the Journal of Art Crime
  • The Journal on Art Crime
  • the medici conspiracy
  • the met
  • the missing piece
  • The Monuments Men
  • The Netherlands
  • The New York Times
  • The New Yorker
  • The Palermo Nativity
  • The Rape of Europa
  • The Scream
  • The Venus Fixers
  • theft
  • Thierry Lenain
  • Thomas Kline
  • Timbuktu
  • Tom Flynn
  • Tom Keating
  • Tom Mashberg
  • Ton Cremers
  • TPC
  • Trance
  • Transnational crime
  • travel
  • treasure
  • Triamphal Quadriga
  • trickster
  • Triton Collection
  • Turkey
  • Typology of interfaces
  • U. S. Fish and Wildlife Service
  • U.S. News
  • UBC
  • Uffizi Gallery
  • UK
  • Ulrich Boser
  • Umbrians
  • undercover agent
  • UNESCO
  • United States
  • Universal Museums
  • University of Pennsylvania
  • Unlisted Conference
  • unsolved art theft
  • urgency
  • US law
  • V&A Symposium
  • Valerie Higgins
  • Van Gogh
  • Van Gogh Museum
  • Vancouver
  • vandalism
  • Veletrzni Palace
  • venice
  • Vermeer
  • vernon rapley
  • Victoria and Albert Museum
  • Victoria Reed
  • Victorian crime
  • Vienna
  • Viking artifacts
  • Villa Giulia
  • Vincent van Gogh
  • Vincenzo Peruggia
  • violin recovery
  • violin theft
  • Virginia Curry
  • Virginia Museum of Arts
  • Wales
  • Wall Street Journal
  • war booty
  • warrant
  • wartime losses
  • Washington DC
  • West Africa
  • Whicher
  • William Kingsland
  • wine fraud
  • Witches in Air
  • Worcester Art Museum
  • workshop
  • world heritage sites
  • World Press Photo Exhibit
  • World War II
  • writer in residence
  • Yale University
  • Zurich

Blog Archive

  • ▼  2013 (295)
    • ▼  December (29)
      • Was the repatriation of a footless 10th century st...
      • Fabio Isman reports on scholar Augusto Gentili's i...
      • Link to Radio New Zealand's Interview with Penny J...
      • "Selling Russia's Treasures" writes about the coll...
      • A flaming Swedish Christmas tradition – the annual...
      • Christos Tsirogiannis Interviews Marc Balcells in ...
      • Marc Balcells Introduces Christos Tsirogiannis in ...
      • Ilaria Dagnini Brey's "The Venus Fixers" and Rober...
      • Editorial Essay: Suzette Scotti writes about "Do U...
      • Christos Tsirogiannis on "From Apulia to Virginia:...
      • Derek Fincham's column "The Empty Frame" on "Detro...
      • Columnist David Gill on "The Cleveland Apollo Goes...
      • Noah Charney in "Lessons from the History of Art C...
      • Marine Fidanyan on "Destruction of Jugha Necropoli...
      • Brent E. Huffman Presenting Special Advance Screen...
      • Christie's New York Auction of "Antiquities" withd...
      • Duryodhana statue from Prasat Chen, Cambodia: "Vol...
      • Sotheby's sells Symes marble matched by Dr. Christ...
      • Felicity Strong on "The Mythology of the Art Forge...
      • Bojan Dobovšek and Boštjan Slak on "Criminal Ins...
      • Update on the search for the oeuvre of Polish arti...
      • "Victorian Art Theft in England: Early Cases and S...
      • Gurlitt Art Collection: The Economist publishes le...
      • "The Crime That Pays? The Canadian Print Media's C...
      • Isabella Stewart Gardner Theft: Boston's WGBH News...
      • DIA evaluation of $2 billion includes only 'works ...
      • The Fall 2013 issue of The Journal of Art Crime No...
      • Persian chalice authentic or fake? Dutch Art Inves...
      • ARCA Associates participating in International Con...
    • ►  November (41)
    • ►  October (17)
    • ►  September (13)
    • ►  August (47)
    • ►  July (28)
    • ►  June (16)
    • ►  May (14)
    • ►  April (21)
    • ►  March (35)
    • ►  February (19)
    • ►  January (15)
  • ►  2012 (205)
    • ►  December (8)
    • ►  November (20)
    • ►  October (36)
    • ►  September (12)
    • ►  August (19)
    • ►  July (26)
    • ►  June (19)
    • ►  May (27)
    • ►  April (21)
    • ►  March (17)
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