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Saturday, 2 March 2013

Continued coverage of the Conference on Protection of Cultural Property in Asia

Posted on 10:04 by Unknown
Textile conservator Julia M. Brennan continues coverage of last month's conference.

The conference was structured into 3 thematic working sessions: Policy and Institutional Framework and Capacity Building (Session 1);  Technical Aspects of Protecting Cultural Heritage Property: Networking with INTERPOL and the International Community (Session 2); and Recovery of Cultural Property, post Theft or Disaster (Session 3).  Here are highlights of a few of the talks: 

Session 1 presentations dovetailed, making a strong case for the use of preventative measures to protect cultural heritage.

Mr. Etienne Clement, Deputy Director of UNESCO, Bangkok gave the opening talk for Session 1 covering national and international laws, international conventions such as the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict; 1970 UNESCO Convention on Illicit Trafficking, and the UNIDROIT. He made a compelling argument for nation states to adopt and use these conventions; teach cultural heritage personnel and police about them; and use them as a foundation tool for combatting the illicit trade in antiquities and art.

Mr. Tshewang Gyalpo, Chief of Bhutan’s Department of Culture, spoke about the country’s national database of heritage; defined Bhutanese heritage; outlined the role of the conservation department and regional cultural officers and the trainings in place to better secure sacred sites.

Mr. Karl-Heinz Kind, INTERPOL, provided an overview of the important and active role that his agency performs, advocating member states to join and participate. The effectiveness of  INTERPOL's stolen works of art database and Project PSCHE (designed to utilize the Italian Carabinieri for the Protection of Cultural Heritage's help in modernizing the database). He emphasized that investigations and recovery are only supported by nations’ involvement and called for greater involvement by nations to make protection of cultural heritage a priority.

Julia Brennan (left) and Fiona MacAlister (right) with
 Dasho Dorjee Tshering, Secretary of Home and Culture
Ms. Fiona Macalister, a disaster preparedness expert from the UK, and I, a textile conservator and consultant for preventative conservation, made the case for employing preventative measures at the front end to protect cultural heritage. Fiona provided a clear blueprint for risk management and disaster planning, outlining different disaster scenarios in the event of  fire, flood, earthquake, and theft and provided standards, checklists, and constructive methods of training. I outlined methods adopted from conservation including secure storage, good protective housings, training of local caretakers and cultural heritage staffs, the importance of detailed and updated documentation, analysis, collaborating with and training of law enforcement, raising public awareness and ownership through media outlets, and engagement of community based groups and tourist infrastructure.

Session 2 featured talks specifically focused on law enforcement efforts to combat the illicit trade. Among the presentators were:

Mr. Gaspare Cilluffo, Customs, Italy, provided an introduction to the law enforcement real time platforms of ARCHEO and COLOSSEUM. He provided clear how-to-use steps for these programs, for both customs and police, in an effort to broaden the international communications and work in real time. He emphasized the goals of sharing information about seizures and new trends, background profiles, best practices, and official consulting experts.

Ms. Silvilie Karfeld, from the German Police, provided extremely useful and creative methods to combat the illicit trade across uncontrolled borders. From the macro of international law enforcement efforts, collaboration between nations, to micro solutions such as neighborhood watch programs, physically marking artifacts as ID, registration of artifacts with cut off dates, pressuring and working with major online sales sites and insurance industry. Like Clement and Brennan, she advocated enhancing the awareness by common people, utilizing the media, and encouraging source countries to take action and monitor the art markets themselves.

Both Mr. Martin Finkelberg, Art Crime Police, The Netherlands, and Mr. Iain Shearer, formerly with the UK Police, gave inspirational and personal talks about investigations and seizures, and the importance of networking. Iain outlined some British successes in seizing illicit Afghan antiquities since 2006. Both an archeologist and police officer, his talk was a lively history of ancient sites and their importance, how they are pillaged, and arrive in the end market. Martin used several case studies to show the success of having informants, a strong prosecutor, utilizing databases, to solve heritage thefts.

Session 3 focused on recovery and methods employed.

Professor Duncan Chappell from Australia outlined several recovery cases in the market country Australia of SEA artifacts and human remains blatantly for sale by BC Gallery:  While some artifacts were recovered or pressure was brought to bear to remove artifacts from sale, the Australian laws are toothless and do not support timely prosecution or seizure. As with many countries, the little slap of the hand does nothing to stem the trade, Professor Chappell said, and called for greater funding for research, investigation and cross border collaboration in the Asian Pacific region.

Major Guy Tubiana, Chief of Security for France’s Museums and Cultural Sites, provided some sound and simple tips for securing sites and training staff. He emphasized the sixth sense of police and security experts, and the constantly changing landscape of theft and trafficking.

Brigadier Kipchu Namgyel, Chief of Royal Bhutan Police, gave an excellent talk about the state of cultural heritage protection in Bhutan, the locations of highest thefts, the incentives and investigation methods employed, and some creative, if not controversial solutions to the problem of chorten vandalism.

The conference concluded with strategic working sessions on each of the three themes. Each group provided a set of recommendations for improving nation’s capacity building, and better protection of cultural heritage though the implementation of specific tasks, many adopted from the three days of presentations.

At the end of three days, attendees took away the strong message that as a global community, we must partner, deploy all the tools possible, engage and maintain strong active relationships across borders, and promote both loss and success more effectively through the media. It also underlined the greater need for the development of stronger Asian participation in law enforcement, liaison with INTERPOL and international customs, and prioritizing the protection of cultural heritage by Asian governments.

This conference was a good first step for combatting the illicit trade in Asia. And, to maintain the momentum, we need to follow up quickly, with additional sessions in Thailand, Singapore, and China, (at the very least), with a focused attempt to identify and bring key law enforcement and cultural heritage professionals to the table. In addition, we could strategically reinforce the message with post conference trainings of law enforcement, customs, and rural caretakers in methods of investigation, analysis, better security, filing stolen art, and monitoring of art sales. Too many major Asian players were missing in Bhutan, but there is a lot of opportunity ahead.  

Website of conference: www.mohca.gov.bt/conference

Published papers forthcoming in 2013

Julia M. Brennan is a Conservator and Cultural Heritage Protection Consultant www.caringfortextiles.com.
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  • Schoonhoven
  • Schubert at the Piano
  • Schwabing Art Fund
  • Schwabinger Kunstfund
  • Scotland
  • Scotland Yard
  • sculptor
  • Sea of Galilee
  • security
  • Security guards
  • security options
  • security specialist
  • sentencing
  • Serbia
  • Sharon Cohen Levin
  • shipwrecks
  • Sicilian Mafia
  • Sicily
  • Sisley
  • Skokloster Castle
  • smash and grab
  • smuggling
  • snuffboxes
  • sociology of crime
  • Sotheby's Auction
  • South Africa
  • South India
  • Spain
  • speaker
  • Spring 2013
  • spring/summer 2012
  • St. Patrick's Day
  • stamp theft
  • Stealing Rembrandts
  • Stefano Alessandrini
  • stele
  • Stockholm
  • stolen antiquities
  • stolen art
  • Stolen Art Bulletins
  • stolen art database
  • Stolen Art Recovered
  • Stolen Artwork Restitution Act
  • Stolen the film
  • Stonehill Art Crime Symposium
  • Stonehill college
  • street art
  • strikes
  • Stroganov Collection
  • stuart george
  • study of art crime
  • Stuttgart Fine Art and Antiquities Squad
  • summary
  • Sureté du Québec
  • surveillance video
  • Sussex Police Art and Antiques Squad
  • Sustainable Preservation Initiative
  • Sweden
  • Swedish Royal Library
  • Switzerland
  • Sydney
  • Symes
  • Symposium
  • Syria
  • ta moko
  • Takeaway Rembrandt
  • Taliban
  • Tauranga Art Gallery
  • tax fraud
  • Teddy Kollek
  • television
  • Tess Davis
  • textiles
  • Thailand
  • The Caravaggio Conspiracy
  • The Empty Frame
  • the Getty
  • the Journal of Art Crime
  • The Journal on Art Crime
  • the medici conspiracy
  • the met
  • the missing piece
  • The Monuments Men
  • The Netherlands
  • The New York Times
  • The New Yorker
  • The Palermo Nativity
  • The Rape of Europa
  • The Scream
  • The Venus Fixers
  • theft
  • Thierry Lenain
  • Thomas Kline
  • Timbuktu
  • Tom Flynn
  • Tom Keating
  • Tom Mashberg
  • Ton Cremers
  • TPC
  • Trance
  • Transnational crime
  • travel
  • treasure
  • Triamphal Quadriga
  • trickster
  • Triton Collection
  • Turkey
  • Typology of interfaces
  • U. S. Fish and Wildlife Service
  • U.S. News
  • UBC
  • Uffizi Gallery
  • UK
  • Ulrich Boser
  • Umbrians
  • undercover agent
  • UNESCO
  • United States
  • Universal Museums
  • University of Pennsylvania
  • Unlisted Conference
  • unsolved art theft
  • urgency
  • US law
  • V&A Symposium
  • Valerie Higgins
  • Van Gogh
  • Van Gogh Museum
  • Vancouver
  • vandalism
  • Veletrzni Palace
  • venice
  • Vermeer
  • vernon rapley
  • Victoria and Albert Museum
  • Victoria Reed
  • Victorian crime
  • Vienna
  • Viking artifacts
  • Villa Giulia
  • Vincent van Gogh
  • Vincenzo Peruggia
  • violin recovery
  • violin theft
  • Virginia Curry
  • Virginia Museum of Arts
  • Wales
  • Wall Street Journal
  • war booty
  • warrant
  • wartime losses
  • Washington DC
  • West Africa
  • Whicher
  • William Kingsland
  • wine fraud
  • Witches in Air
  • Worcester Art Museum
  • workshop
  • world heritage sites
  • World Press Photo Exhibit
  • World War II
  • writer in residence
  • Yale University
  • Zurich

Blog Archive

  • ▼  2013 (295)
    • ►  December (29)
    • ►  November (41)
    • ►  October (17)
    • ►  September (13)
    • ►  August (47)
    • ►  July (28)
    • ►  June (16)
    • ►  May (14)
    • ►  April (21)
    • ▼  March (35)
      • The Gardner Heist: Rebecca Dreyfus' documentary "S...
      • Blanca Niño Norton Wins ARCA's 2013 Award for Life...
      • Australian Law Professor Duncan Chappell Wins ARCA...
      • Cambridge Researcher Christos Tsirogiannis Wins AR...
      • The Gardner Heist: Journalist Tom Mashberg Weighs In
      • Sharon Cohen Levin Wins ARCA's 2013 Art Policing a...
      • Kunsthal Rotterdam Art Heist: Looking at the Paint...
      • Gardner Heist: Night watchmen Rick Abath Gives Exc...
      • Anderson Cooper 360 Features Documentary on Gardne...
      • The Gardner Heist: Author Ulrich Boser Writing in ...
      • Boston Globe: Tip to Authorities in 2010 Led to Tu...
      • ISGM Security Director Anthony Amore Calls Hunt fo...
      • Boston Globe Correspondent Stephen Kurkjian Interv...
      • Jennifer Levitz for The Wall Street Journal: FBI W...
      • The Hartford Courant's Edmund H. Mahoney Links Har...
      • The Great Gardner Heist: 2010 Interview by "On Poi...
      • ABC News' Video of FBI Press Conference on 23rd An...
      • FBI Announces New Information Regarding the 1990 I...
      • ARTNews' George Stolz on "Authenticating Picasso"
      • Courbet Museum in Ornans welcomes home "The Oak of...
      • Kunsthal Rotterdam art heist: German prosecutor ar...
      • Novi Sad City Museum welcomes home "The old man wi...
      • Nominees for ARCA's 2013 Lifetime Achievement in D...
      • Nominees for ARCA's 2013 Eleanor and Anthony Vallo...
      • Nominees for ARCA's 2013 Award for Art Protection ...
      • Nominations for ARCA's 2013 Art Policing and Recov...
      • Jonathan Keat's FORGED: What Is Culture? Tom Keati...
      • Jonathan Keats' FORGED: Elmyr de Hory (1906(?)-197...
      • ARCA Lecturer Judge Arthur Tompkins Interviewed on...
      • Wall Street Journal article highlights work of tex...
      • Do art forgers prey on our treasure hunt instinct?
      • Dutch Police Arrest 19-year-old Romanian woman in ...
      • ARCA Trustee Erik Nemeth on the Political Economy ...
      • Continued coverage of the Conference on Protection...
      • Coverage of the first Conference on Protection of ...
    • ►  February (19)
    • ►  January (15)
  • ►  2012 (205)
    • ►  December (8)
    • ►  November (20)
    • ►  October (36)
    • ►  September (12)
    • ►  August (19)
    • ►  July (26)
    • ►  June (19)
    • ►  May (27)
    • ►  April (21)
    • ►  March (17)
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