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Sunday, 25 August 2013

UNESCO posts listing of looted objects from the Malawi National Museum in the Upper Egypt city of Minya

Posted on 00:00 by Unknown
'The Egyptian Ministry of State for Antiquities informed UNESCO of the looting of the Malawi National Museum on August 14, 2013,' UNESCO reports on its website:
The damages caused by the looters are catastrophic. Most of the artefacts have been stolen, destroyed or burned. Around one thousand cultural objects, dated from the beginning of the Egyptian history to the Islamic period, have disappeared (coins, jewels, statues, etc).
UNESCO has posted a list of stolen objects in Arabic from the Malawi National Museum in Minya, about 150 miles south of Cairo.  Minya is the birthplace of Suzanne Mubarak, the former First Lady of Egypt (1981 - 2011). A copy of this listing, including photos of the looted objects can be downloaded from the ARCA website here.

Egyptian cultural heritage professionals are using social media sites like Facebook and Twitter to bring public awareness to the damages that have occurred during this recent period of unrest.   Because of awareness antiquities police have succeeded in returning 71 stolen objects from the museum in addition to the 19 returned shortly after the initial looting.

The Supreme Council of Antiquities has a list of museums in Egypt. The only institution with the name 'Malawi' is the Malawi Monuments Museum:
The Malawi Monuments Museum houses a collection of artefacts from the nearby sites of Tuna al-Gebel and Hermopolis. Among the objects on display are a number of animal mummies and statues associated with the worship of the god Thoth.
Tuna al-Gebel (Supreme Council of Antiquities):
Hermopolis West, on the modern site of Tuna al-Gebel near Minya, was the necropolis of the city of Hermopolis, sacred to the Greek god Hermes and his Egyptian counterpart Thoth. It is best known for the sprawling catacombs at the foot of the western cliffs, where thousands of ibises (dedicated to Thoth) and other sacred animals were buried from the New Kingdom through Roman times. Besides multitudes of ibises and baboons, the galleries were also used for the burials of fish, pigs, dogs, cats, goats, pelicans, monkeys, falcons, larks, and kestrels, all mummified and placed into pottery jars. Potsherds and torn and broken mummies are still strewn in the passages today.
Another major attraction of the site is the early Ptolemaic tomb of a high priest of Thoth named Petosiris, decorated with reliefs in a blend of Greek and Egyptian styles. Petosiris's wooden coffin, exquisitely inlaid with colored glass hieroglyphs, can be seen in the Egyptian Museum.
A number of Roman-era tombs lie to the south. The most famous of these belongs to Isadora, a young woman who drowned in the second century BC. Her mummy lies in a glass case in her tomb.
The oldest monument at Tuna al-Gebel is a stele marking the northwest boundary of Akhenaten’s city at Amarna, partway up a slope north of Hermopolis West. It bears scenes of Akhenaten and Nefertiti worshipping the sun disk (the Aten) and is carved with an extensive text describing the founding of the city.
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  • U.S. News
  • UBC
  • Uffizi Gallery
  • UK
  • Ulrich Boser
  • Umbrians
  • undercover agent
  • UNESCO
  • United States
  • Universal Museums
  • University of Pennsylvania
  • Unlisted Conference
  • unsolved art theft
  • urgency
  • US law
  • V&A Symposium
  • Valerie Higgins
  • Van Gogh
  • Van Gogh Museum
  • Vancouver
  • vandalism
  • Veletrzni Palace
  • venice
  • Vermeer
  • vernon rapley
  • Victoria and Albert Museum
  • Victoria Reed
  • Victorian crime
  • Vienna
  • Viking artifacts
  • Villa Giulia
  • Vincent van Gogh
  • Vincenzo Peruggia
  • violin recovery
  • violin theft
  • Virginia Curry
  • Virginia Museum of Arts
  • Wales
  • Wall Street Journal
  • war booty
  • warrant
  • wartime losses
  • Washington DC
  • West Africa
  • Whicher
  • William Kingsland
  • wine fraud
  • Witches in Air
  • Worcester Art Museum
  • workshop
  • world heritage sites
  • World Press Photo Exhibit
  • World War II
  • writer in residence
  • Yale University
  • Zurich

Blog Archive

  • ▼  2013 (295)
    • ►  December (29)
    • ►  November (41)
    • ►  October (17)
    • ►  September (13)
    • ▼  August (47)
      • ARCA 2013 Art Crime Conference on Saturday Afterno...
      • The New Yorker: Mark Landis as forger or con artis...
      • John Pollini on "The Bronze Statue of Germanicus f...
      • ARCA 2013 Conference: Presenting the Awards to thi...
      • ARCA's Fifth Annual International Art Crime Confer...
      • Nevine El-Aref of Ahram.org reports the recovery o...
      • ARCA 2013 Conference: James Moore on the stolen Pa...
      • UNESCO posts listing of looted objects from the Ma...
      • Book thefts and recovery: How the International Le...
      • 2013 ARCA Art & Cultural Heritage Conference: Sask...
      • 2013 ARCA Art & Cultural Heritage Conference: Dutc...
      • Museum van Bommel van Dam Theft: Arthur Brand on r...
      • 2013 ARCA Art and Cultural Heritage Conference: Se...
      • Noah Charney's "Q&A with Ken Perenyi" (The Journal...
      • Noah Charney's "Q&A with Ruth Godthelp" (The Journ...
      • Art Loss Register Press Release: "Rare, Stolen, 16...
      • Jonathan Keats' "Forged: Why Fakes Are The Great A...
      • In Bangor with Howie Carr: ARCA Trustee Anthony Am...
      • Postcard from Istanbul Archaeological Museum: In t...
      • Postcard from Istanbul Archaeological Museum: Anci...
      • Llewelyn Morgan's "The Buddhas of Bamiyan" reviewe...
      • Art Investigator Arthur Brand assists in the retur...
      • Janet Ulph's and Ian Smith's "The Illicit Trade in...
      • Erik el Belga's "Por amor al arte. Memorias del la...
      • Elizabeth Rynecki on "Lost, Forgotten, Looted or D...
      • Postcard from Istanbul: Sultanahmet Archaeology Pa...
      • Boarded up Banksy art at La Brea and Beverly in LA...
      • Kunsthal Rotterdam Art Theft: Defense Lawyer clai...
      • Stefano Alessandrini on "The Thieving Director: th...
      • Istanbul Archaeological Museum: A note from an Ass...
      • Steven D. Feldman on "Highlights of Selected Crimi...
      • Enez: Bulgaria - Turkey IPA Cross-Border Program H...
      • David A. Scott's "On Art Forgery: the History of a...
      • Noah Charney on "New "Intelligence" Body Will Moni...
      • Report from ARCA in Amelia: More on the Pompeii fi...
      • Christopher Marinello on "Art Recovery: Negotiatin...
      • Derek Fincham on "Will the Statute of Frauds Crack...
      • Edirne custom inspection discovered historical art...
      • David Gill on "Dallas Museum of Art Takes the Init...
      • Restitution: Mosaic of Orpheus Returned to Turkey ...
      • Christie's evaluation of art collection at Detroit...
      • Edgar Tijhuis on "Legal and Illegal Actors around ...
      • Christos Tsirogiannis on "A Marble Statue of a Boy...
      • Anna A. Perl on "Poland's Restitution Efforts in t...
      • Report from ARCA in Amelia: Dorit Straus teaches "...
      • Caitlin Willis on "Graffiti in Contemporary Rome: ...
      • Thierry Lenain on "The Question of the Value of Do...
    • ►  July (28)
    • ►  June (16)
    • ►  May (14)
    • ►  April (21)
    • ►  March (35)
    • ►  February (19)
    • ►  January (15)
  • ►  2012 (205)
    • ►  December (8)
    • ►  November (20)
    • ►  October (36)
    • ►  September (12)
    • ►  August (19)
    • ►  July (26)
    • ►  June (19)
    • ►  May (27)
    • ►  April (21)
    • ►  March (17)
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